For some unestablished musicians, the thought of going from making music in a bedroom or garage to playing on stage in front of strangers seems more like a Grand Canyon’s wide leap than a seamless transition. Even before the thought of potential nervousness over performing live for the first time sets in, there are things to consider like how to build your set, where to play, and who to get in touch with about booking. This can indeed be a tricky transition, but luckily, it’s one you’ll only have to make once.
Financially-savvy songwriters have been taking advantage of this loophole by quietly selling a portion of their catalogs. In addition to receiving a big lump sum payment taxed at half the rate, these songwriters are diversifying to hedge against industry turmoil, inflation, and declining royalties. It’s something worth checking out!
With over 70 million monthly listeners worldwide now, podcasting is more popular than it’s ever been. According to a recent study, there are currently over 700,000 active podcasts. While that’s great news for podcast fans, that many choices makes it difficult for new podcasts to find their audience.
Grants for orff instruments
Brant Wilson is an amateur musician and student based out of Indianapolis, Indiana with a special love for classical music and a goal to learn to play as many instruments as possible.
Next, reach out to any bands or artists you want to play with and get their availabilities. You should also reach out to local venues to get a sense of what’s open. Ask about either a range of dates or specific days. Making contact to start a conversation is a major step to getting yourself behind the wheel, instead of waiting around for someone to pick you up.
+ Join our email magazine, Soundfly Weekly, a thematic weekly review of relevant topics that shed light on making music and finding success in the music industry. In other words, more awesome stuff just like this. Sign up here.
With overwhelmingly positive results, we’re happy to share a few select testimonials of Soundfly’s Beginner Harmonic Theory course directly from our students.
If you’re a jazz musician you’re also probably transporting your equipment to a ton of gigs, so getting something portable is a good idea. Here are some of my favorite choices for playing jazz:
Companies that give donations to individuals
The ancient Greeks figured out that if you have a bunch of strings, it sounds really good if you tune them according to the frequency ratios you get from the natural overtone series. In such tuning systems, you get all your notes by picking a starting frequency, and then multiplying or dividing it by whole numbers. The good-sounding (to Western people) note combinations are the ones derived from the lowest harmonics — the ones that have you multiplying or dividing by the smallest prime factors: two, three, and five.
Imagine you have a synth bass line that’s a combination of a sine and a saw wave instrument. You like the vibe, but when you turn them both up you aren’t feeling the fatness. That’s likely because the low frequencies of the combined signal are suffering from destructive interference.
“Wait, we’re musicians, we don’t write agendas.” Ok, but that’s a great way to ensure you don’t get anything done. Being a good musician sometimes requires a little business sense, and I’ve found a clear agenda can really help. Knowing exactly what order we’re going to record in can make the whole thing so much smoother and more efficient. And laying it out a week in advance gives your bandmates and engineer a chance to prepare, make suggestions, or consider alternate approaches.
Most closets are in the bedroom which is great. The room has soft furnishings already in it (e.g.: beds, curtains, rugs, clothes). Standing in front of the open closet is optimal or if you have a walk-in, even better. Make a part in the clothes on hangers and place your mic (whether its on a shelf or a mic stand) in between the parted clothes without letting the clothes touch the microphone. Additional blankets behind, to the sides, and above you are ideal. The goal is to absorb as many reflections from the room as possible.
Some guitarists want to hear minimal pick attack in their recordings, while others (myself included) want a lot — especially on guitar solos. Pick attack presence is a combination of pickup selection, pick type, picking location, the angle of the pick, and your amp settings.