How much does the general public really pay attention to bass riffs? I’m not talking about songs in which the bass has the main hook, like Queen’s “Another One Bites the Dust” or Lou Reed’s “Walk on the Wild Side” where the bass is technically the lead instrument, nor am I talking about every disco hit ever. How much do people really take the time to hear through what’s going on in the rest of the mix to find what the bass is doing?
“I’m soon recording my debut single and a follow-up EP as well, therefore I’m working much on my writing and production skills. The most useful thing I learned was the practical approach of creating a tidy score for strings musicians.”
Patrick McGuire is a writer, musician and human man. He lives nowhere in particular, creates music under the name Straight White Teeth, and has a great affinity for dogs and putting his hands in his pockets.
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Lots of times we think the best practice should feel easy, when the opposite is actually true. I remember this point coming up a lot in the another useful rundown of effective practice techniques, the book Make It Stick: The Science of Successful Learning. The authors talk about “desirable difficulties” — basically, by practicing in such a way that feels difficult rather than easy you facilitate more long-term learning.
Shoegaze music has a way of sticking around in our heads for a while — that familiar but distant sound of the guitar echoes endlessly in our memory. There are so many ways to create this kind of soundscape with your guitar. In my last article, “How to Create Dreamier Guitar Chords,” I started to investigate various chord structures that lead to signature shoegaze song crafting, so here I’ll be looking into affordable effects pedal combinations that can achieve that shimmering wall of sound.
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In this OpEd from a former Soundfly student, we explore the effective active learning approaches key to getting the most out of any learning experience.
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Ludwig van Beethoven’s “Für Elise” provides us with the first example of a minor second, and it can be found in the first “seconds” of the piece — in other words, the first two notes are a descending minor second apart.
The addition of the F# in the Melodic Minor scale, makes things slightly more complex (if that was even needed at this point!). This time, we would have to work out the names comparing the scales to their most similar mode. For example, there is little point in comparing the fourth mode built on A Melodic Minor scale to an Ionian scale. It is much more similar to a Lydian mode, since it comprises of the note F#. The G# at this point, makes it a C Lydian (Augmented fifth).
Top 40 songs usually reach the first appearance of a chorus at around 0:45 seconds in. In other words, they rush to the chorus. What does this mean, other than that a song’s memorability is more important than its meaning and message? I’m not sure, but it’s a valid way to write and sell your song, that’s for sure!