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This progression very eloquently illustrates one of the most basic functionalities of western tonal music — the subdominant (IV chord – G), moving to the dominant (V chord – A), and resolving to the tonic (I chord – D). This is a sound that transcends all genre barriers and ties tons of music together. We can find a very rich body of work in this sound throughout history, from classical music, to much folk music, to contemporary pop hits of each generation. One of the best things about the drive to produce holiday albums is the way it sometimes brings musicians together

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Nick Jameson’s story is almost as interesting as this song’s bass part itself. After having previously worked as a producer for the band, Jameson was invited to become their new bass player. Mainly a guitarist up to that point, he had to learn quickly. But thanks in part to some of his influences, like jazz-fusion guru Stanley Clarke, he pulled off learning the material. Not long after, “Slow Ride” was born out of a jam session. Jameson’s chops on the song are pretty remarkable, considering he was still a bit of a novice on the instrument at the time. Ian

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