I don’t know what it is about this West Virginia University hub, but I have found time and time again that even bands without a huge national following can attract a packed, excited crowd in Morgantown. People just can’t get enough music here, and they’re welcoming enough to give you a shot and come to your show even if they’ve never heard your music. Plus, with West Virginia’s proximity to Pittsburgh, Washington, DC, Baltimore, and Columbus (not to mention all the other secret hot spots in Ohio), it’s an easy detour that will surely be worth the trip. This autumn, we’re
Jeremy is a Montreal-based musician, sound artist and improviser who loves giving advice to emerging artists on how to make their tours more effective. He writes, records and performs electroacoustic “concrète” music for tape, oscillators and amplified objects and surfaces, as well as solo guitar. He has performed and released material throughout Europe and the UK, Asia, the US and Canada, mostly with his trio Sontag Shogun. Now that I’m a professional touring artist myself, I wanted to revisit quotes from my favorite all-time artists to see if they’re still relevant. They are.
How much does the general public really pay attention to bass riffs? I’m not talking about songs in which the bass has the main hook, like Queen’s “Another One Bites the Dust” or Lou Reed’s “Walk on the Wild Side” where the bass is technically the lead instrument, nor am I talking about every disco hit ever. How much do people really take the time to hear through what’s going on in the rest of the mix to find what the bass is doing? “I’m soon recording my debut single and a follow-up EP as well, therefore I’m working much on my writing
A common distortion pedal for shoegaze is the fuzz, and there’s almost none more famous than the Big Muff Pi. It’s famous for a reason. It creates a high quality, juicy, fat sounding distortion for a comparatively low price and is sought after for its sustain as well. The Big Muff is really quite perfect for creating those colorful walls of noise, but there’s such a huge range of overdrive and distortion pedals out there, you really need to find what fits your personal taste. Writers like Scheibe attacked Bach’s in-depth use of musical theology, along with his general style, accusing