The key is to link up a singer’s already incredible ear with what they see on the page — and, use a more robust knowledge of harmony to anticipate what comes next. Learning key signatures, intervals, scales, chord progressions, and function help singers be one step ahead. And, become the kind of colleagues that get hired back again and again. + Learn a new musical skill in 10 minutes. Explore Soundfly’s wide array of free online courses and gain a musical edge during your lunch break. Or sign up for the Soundfly Weekly newsletter and learn something new every Tuesday!
We cover a lot of musical topics between the editorial content here on Flypaper, our newsletter Soundfly Weekly, our mentored online courses, and our customized project-oriented mentorship sessions on Soundfly. Yet no matter what area of composition, production, performance, or business we’re talking about from one day to the next, we find that what links most modern musicians in their drive to learn more and expand their skills and opportunities today is the need to develop a better grasp on home recording. Write down exactly what you hope to accomplish during a session and include all the relevant steps or sub-goals. For example, if your
One chart taught me love / one chart taught me patience / one chart taught me pain / this is amazing / thank u, next / I’m so freaking grateful for these pop-song specs. Here’s a new track from Armin van Buuren showcasing this technique with the kick pattern at around 00:37 first, and then again with the snare at around 00:59, to give the lister something that immediately feels familiar, even though it’s brand new.
Once you’ve got the final vocal take dialed in, it’s time to start cleaning up problem frequencies with subtractive EQ. One of the most common problems is excessive low-end buildup from the proximity effect, which can be often solved with a simple high-pass filter around 100 Hz. There also tends to be some muddiness in the 200-500 Hz range, which may need some trimming. As a performer, she was recently seen in Sondheim on Sondheim at the FreeFall Theatre in a cast that included Ann Morrison (the original Mary in “Merrily We Roll Along”), and Kissy Simmons (Nala, “The Lion King,”