Fender play foundation

From the influential mid-century Czech composer Bohuslav Martinů, we have his Fantasia for theremin, oboe, string quartet, and piano. Composed in the summer of 1944 and premiered the next year in New York, this work may not be one of Martinů’s better-known pieces; but, nevertheless, it’s exciting to see a composer exploring a new and exciting instrument so late in their career. With the microtonal possibilities of this instrument, the entire tonal spectrum is your oyster, and Martinů’s off-kilter expressive notation really brings out the depth of beauty and unrest that this instrument is capable of producing. The Guild Cinema

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